Posts Tagged ‘Review’

Alright, folks, this is the first in a five volume series that is primarily about house-cleaning, but is also an attempt to keep myself honest.  Think of this, I don’t know, maybe like the ultra-shitty demo takes and ill-conceived Slayer cover a moderately-established band might tack on to a “deluxe” reissue of a debut album.  These early words about sounds from yours truly are, essentially, the reason the phrase “warts ‘n all” was made.

For the sake of journalistic integrity (quit laughing, that’s, like, a real thing), I have only made cosmetic alterations to these reviews, as found buried deep in the recesses of an external hard drive from seven years ago.


Pig Destroyer, Terrifyer (2004)

Still terrifying after all these years

Grindcore has never been known for subtlety, and indeed, most of its purveyors would have it no other way.  With Terrifyer, however, the twisted nihilists in Pig Destroyer have provided an utterly convincing proof of grindcore’s continuing relevance and professionalism.  Building from the groundwork laid by 2001’s excellent Prowler in the Yard, Terrifyer lunges out of the speakers with confrontational intensity to grab the listener by the throat.

There is method to this madness, however – more so than ever before, as this savage trio has figured out how to incorporate into the speed and overall extremity of grindcore a plethora of muscular, memorable riffs.  Despite the fact that each song flows seamlessly to the next throughout the album’s 32 minutes of fury, what saves Terrifyer from being simply an exercise in brutal virtuosity is the conviction, precision, and feeling with which it is realized.  For as much as this album thrashes about with its grinding blitzkrieg, it just as easily falls into thunderous grooves, most notably on highlights such as “Thumbsucker,” “Sourheart,” and “Gravedancer,” the latter of which bursts out of the gates with a perfectly evil Southern rock n’ roll lick.  This diversity, coupled with the band’s obvious commitment to total aural destruction, results in an incredibly fresh sounding grindcore record.

On top of that, Terrifyer boasts a second disc which contains the single track “Natasha,” mixed as a DVD-Audio track in either Stereo or 5.1 Surround Sound.  Throughout its 37-minutes, Pig Destroyer alternates between brooding ambient passages with whispered vocals and various samples, and crushing sludge rock, at times bordering on doom.  This second disc, while staying true to Pig Destroyer’s monstrous spirit, further displays their desire (and more importantly, their ability) to broaden their swath of mayhem.  Add to all of this some appropriately disturbing artwork and vocalist JR Hayes’ equally brutal and beautiful lyrics (perhaps similar to what one might expect if Hannibal Lecter decided to front a grindcore unit), and it amounts to one brilliantly conceived and realized album.


Rough.  Generic.  I know.  Stay tuned for more of these queasing shenanigans.

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