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Posts Tagged ‘Sailors With Wax Wings’

So, although Spinal Tapdance’s Top 30 Metal Albums of 2010 will post in three installments over the next few weeks (in addition to the Top 20 also appearing at MetalReview), this was such an excellent year for heavy metal that I just couldn’t bear calling it quits at 30.  So, perhaps to whet your appetite for the Real, Official Top 30, I present Spinal Tapdance’s 25-album strong Honorable Mentions list.  This list is only somewhat loosely organized, and in lieu of the traditional straight description of why the album smokes one’s face off, I will instead be penning a haiku for each contender.

The astonishing caliber of heavy metal represented on this list should be some indication of the strength of this year’s output, so read on, and take heart – there’s more yet to come!
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1.  Alcest, Écailles de Lune


Shoegaze and jangly
black metal is so soothing;
why am I crying?

2.  Horseback, The Invisible Mountain

Slow songs, long songs; songs
ride one groove forever, but
are fucking awesome.

3.  God Dethroned, Under the Sign of the Iron Cross

Faster than last one,
less epic but still rad, Re:
War to end all Wars.

4.  Early Graves, Goner

Fast, short, furious
grinding madness breaks your face –
Hail, fallen comrade.

5.  Ehnahre, Taming the Cannibals

Alien noise and
modem vocals make this one
venomous and odd.

6.  Black Anvil, Triumvirate

No nonsense metal
that gives no shit ’bout genres;
bang your goddamn head.

7.  The Howling Wind, Into the Cryosphere

Ex-Thralldom guru
makes a grim ascent to the
ceiling of the world.

8.  Weapon, From the Devil’s Tomb

So many riffs, so
little time to catch my breath
from so many riffs.

9.  The Secret, Solve et Coagula

Grind and black and doom
and ambient noise from the
most boot-like nation.

10.  Winterfylleth, The Mercian Sphere

Epic black metal
by nationalists, but hey!,
they are from England.

11.  Salome, Terminal

“Let’s play some slow riffs,
then put a tiny demon
on the mic – shit yeah!”

12.  Kylesa, Spiral Shadow


“Hey, ‘member the 90s?”
“Fuck you, this is still metal.”
“‘kay, let’s jam some more!”

13.  Electric Wizard, Black Masses

Like that time you got
stoned and joined a cult but then
fucked and played some doom.

14.  Celestiial, Where Life Springs Eternal

Funeral doom is
more like ambient when it’s
this fuzzed, nature-y.

15.  Vasaeleth, Crypt Born & Tethered to Ruin

You like death metal,
right? So, go live in a swamp
and kick ass at it.

16.  Aborym, Psychogrotesque

Classy shit, even
though the cover art is the
worst thing ever, yo.

17.  Sailors with Wax Wings, Sailors with Wax Wings

Pyramids dude, how
did you get these sweet people
to jam with your band?

18.  In Lingua Mortua, Salon des Refuses

Jittery and black
and smooth (with sax); better than
Vulture Industries.

19.  Cough, Ritual Abuse

A better ‘lectric
Wizard album than ‘lectric
Wizard did for years.

20.  Twilight, Monument to Time End

Call this the Atlas
Leviathan, if you want –
texture, ‘pocalypse.

21.  Coffinworm, When All Become None

Such a mean-sounding
band, but in all the right ways
(not a vagina).

22.  Anathema, We’re Here Because We’re Here


Twinkly emo songs,
or the truest sad music
your dumb ears can take?

23.  Father Befouled, Morbid Destitution of Covenant

Incantation, plus
Immolation, plus choirs and
other shit is boss.

24.  Cephalic Carnage, Misled By Certainty

Make death/grind, add your
own sound effects, then try to
keep count: you will fail.

25.  Void of Silence, Grave of Civilization


Dude from Axis Of
Perdition sings like Roman
God; plus, epic doom.

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Stay tuned for more end-of-year coverage from your pal here at Spinal Tapdance.  Cheers!

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In praise of some of this year’s releases that have featured prominently around Spinal Tapdance HQ lately, and in avoidance of some of the actual work I ought to be doing, I present a quick rundown of, as the title says, some of the new(ish) shit I’ve been spinning.

Beware the mad monk

Slough Feg, The Animal Spirits – Officially out today [ed.: Tuesday], I believe (along with enough other new metal releases to choke a horse, or at least force it into an equestrian approximation of headbanging), this is a nonstop grin-fest of everything wonderful and energetic about classic heavy metal.  Mike Scalzi’s vocals are as potent as ever, and the songs are both carefully honed and gloriously meandering.  Put it in yr ears and smile, smile, smile.

Color-by-numbers skeleton

Intronaut, Valley Of Smoke – For whatever reason, I’ve missed all the previous releases from this band.  This new album, though, really shook me by the shoulders and slapped me around a bit.  Excellent songwriting, beautiful textures, great clear bass lines and tasteful jazz-inflected drumming have kept this spinning over and over around here.  The instrumental title track may be the best thing here, though that’s not to downplay the judicious use of both harsh and clean harmonized vocals throughout.  Definitely recommended.

Climb it

Horseback, The Invisible Mountain – Tough to describe, but equally tough to ignore once it has sunk its claws in your flesh, this hypnotic album is something like an Americana act discovering krautrock and throwing in the menacing undertones of black metal.  Oh, plus the entire second side is a lilting ambient piece, the trip down the other side of the mountain after the first side’s arduous ascent.  A curious piece of work, but kudos to Relapse for picking this up for wider distribution.

It's good to remember how much you missed them

Autopsy, The Tomb Within – Brilliantly atavistic, mud-sodden death metal for murdering zombies.  It’s only five tunes, but all the death and doom you could hope for is alive and (un)well.  Welcome back, you perverts.

Brilliant artwork

Cough, Ritual Abuse – I haven’t got my grubby hands on the new Electric Wizard yet, but this new Stateside entry in the grand tradition of nihilistic sludge metal goes down just fine, all ragged edges and shaking hands.  Also playing of late has been Cough’s tremendous split with The Wounded Kings (reviewed at this very site by yours truly last week), out in November.  I’m pretty sure both sides of the split are streaming somewhere out there in computer-land, so get yourself to Google and soak in the doom.

Like 'Walden', but heavy metal

Celestiial, Where Life Springs Eternal – One of the most atmospheric albums I’ve heard this year.  Exceedingly nature-touched, overdriven-to-the-point-of-ambient ‘funeral doom’, though that genre description is hopelessly inadequate to describe the equally soothing and crushing sounds at work within.  Reminds one of neo-folk, without actually forcing one to listen to neo-folk.

It's a dead polar bear. Weep for this world.

Antony & The Johnsons, Swanlights – Antony Hegarty simply will not rest until he has made each and every one of us weep bittersweet tears.  This is fragile, strong, desperate, haunting music.  His duet with Björk is especially stunning, but the variety of songwriting styles on display throughout the album is most impressive.

Move your body

Gilles Peterson, Gilles Peterson Presents Havana Cultura: Remixed – Last year’s original issue of the Havana Cultura recordings were already excellent enough, but here Gilles has enlisted the help of some top-notch remixers and reinterpreters to put a more club-friendly (without the horrific connotations that phrase can entail) spin on this broad pool of Cuban musics past and present.  Funky, soulful, and always a lot of fun.  It can’t all be heavy metal all the time, friends.  Gilles is there for you in your time of need.

Exhaustive, though not exhausting

Bob Dylan, The Witmark Demos: 1962-1964 – A massive two-disc set of early demos of future Dylan classics, plus something like fifteen previously unheard songs.  This is a treasure chest to be explored, and in which to lose yourself.  The man is clearly not a ‘record once and move on’ kind of studio musician, as the strikingly alternate versions of some of these tunes illustrates.  Perhaps the most jarring alternate on here is the demo version of “The Times They Are A-Changin’,” which is slowed way down, and led by piano only.

Hallucinatory shoegaze metal

Sailors With Wax Wings, Sailors With Wax Wings – Debut album from this side project of R. Loren from Texan weirdos Pyramids.  Features a shit-ton of guest vocalists and musicians, but succeeds largely because it doesn’t seem bogged down by that fact.  The album still presents itself as a coherent aesthetic whole, featuring a gorgeous variety of textures and moods.  Best heard as a piece, straight through, with mind set a-wandering.

Mind-bogglingly fantastic, dastardly metal art

Akercocke, Words That Go Unspoken, Deeds That Go Undone – Okay, so this is clearly not a new album.  In fact, it’s from way back in the Stone Ages of 2005.  But SONOFABITCH this album is so good.  You should play it all the time.  Each and every day.  Also, if the gentlemen of Akercocke would see fit to give us another album one of these days, why, that would be just swell.

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Random bit of old news that I’m still bumming hard about:

Soooooo good

Beatrik went and broke themselves up a while back.  Dude also broke up his more straight-ahead black metal act Tenebrae In Perpetuum, which is also too bad, but man, Beatrik was where it was at.  If you haven’t listened to Beatrik’s second album Requiem Of December yet, well my goodness, you just really ought to do so.  All the best bits of depressive black metal, proper black/doom (like Nortt, see), and the great organ textures of Skepticism, topped off with fabulously excruciating vocals…  A really tasty treat, is what I’m trying to say to you.

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So, what’s been keeping you lot auditorially-occupied of late?  Don’t be shy.

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One can hardly crack open any corner of the internet lately without being subjected to the annual rite of Wistfully Realizing That Summer Is Nearly Over.  That fact, coupled with the release this week of Iron Maiden’s latest album The Final Frontier (itself a potential wistfulness-fest in its own right), which seems to have been one of the more high-profile and highly anticipated metal releases of the year, has left me with that vague twinge.

You know, that “Ah, shit, 2010, it was nice to know you, but I guess you’re off to stay at that farm upstate where you’ll have all the room to run and play that we couldn’t offer you here at home” sort of twinge.

So, as a bit of a patch on this collective maudlin tendency, I thought I’d tally up some of the albums which are still slated to be released in this humble Year Of Our Narcissism 2010 for which I’m most excited.  This is by no means intended to be an exhaustive (or even particularly informative) list; this is just the stuff that I’m keeping tabs on, all sweaty palmed and fidgeting in my seat.
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– Blind Guardian, At The Edge Of Time.  The full-page ad I keep seeing in the magazines has a quote describing this as something like “ethnic and pure.”  Sounds a bit dodgy, but I’m just hoping “ethnic” is a poorly-chosen synonym for “folk-ish.”  A Twist In The Myth was a little dull for my tastes, so here’s hoping they spice things up.

– Venetian Snares, My So-Called Life.  Not metal, sure, but Aaron Funk has consistently put out some of the most intense electronic music of the past decade or so.  Plus, Detrimentalist was the fucking shit.

– Christian Mistress, Agony & Opium.  Classic NWOBHM tunes fronted by a Björk-esque singer?  Hell yeah.  Bring it on, 20 Buck Spin.

– Infernaeon, Genesis To Nemesis. Their debut from a few years back was more than a little shaky, but I’m hopeful for this one.  Sure, this is unlikely to be the second coming of Nocturnus’ The Key, but hell, there’s a lot more room in death metal for keyboard experimentation than in black metal.

– Cephalic Carnage, Misled By Certainty.  Cephalic Carnage have always seemed like the quintessential Relapse band to me.  I know they didn’t pioneer the stuff, but their widdly death/grind/tech/whatever whirlwind tends to satisfy like lemonade on a sweltering summer’s day.

– Black Anvil, Triumvirate.  Pretty psyched for this, and you should be, too, if you’re looking for an updated take on Darkthrone’s mid-period crust-covered Celtic Frost-isms.

– Unearthly Trance, V.  The upward trajectory of this band has been astonishing over their past four albums.  Electrocution was a pitch-perfect distillation of what it seems like they’d been working toward all-along, so who knows where they’re going next?

– Melechesh, The Epigenesis.  Melechesh have lately been everything Absu quit being a while back.

– Drudkh, Handful Of Stars.  Drudkh’s form has changed deceptively little over the years, leading some to interpret that as stagnation.  Listen carefully to the last few records, though, and you’ll hear the results of slight tinkering to an entirely unique sound.  The prominence of bass on Microcosmos alone should have signaled that no matter how hateful the forests these Ukrainians haunt, they’re deadly serious.

– Salome, [Title Still Unknown].  Profound Lore has been dropping some tasty hint-morsels lately about this album.  Vocalist Kat added the third prong to Agoraphobic Nosebleed’s triple vocal attack on lats year’s Agorapocalypse, but hearing her vocals attached to scathingly crippled sludge is another thing altogether.

– Torche, Songs For Singles.  Rumor is, the record’s too short, and maybe also too awesome.  Blown off as pop metal by plenty of those who don’t realize that Torche combine some of the best attributes of pop and metal, meaning maybe the epithet’s actually a back-handed compliment.

– Enslaved, Axioma Ethica Odini.  The title seems like a Latinized version of “The Ethical Axioms of Odin.”  Presumably that gives just as little clue to the musical contents as the Latin version, though.  This is one of my most feverishly anticipated records, though; Enslaved have been completely unstoppable to this point.

– Krieg, The Isolationist.  Okay, so I really dug The Black House, but thought Blue Miasma was uninspired and dull.  Adding Leviathan’s Wrest to the band (on bass) is more than sufficient to pique my interest, though.

– Cradle Of Filth, Darkly Darkly Venus Aversa.  Wow.  This may actually be a worse album title than the new Enslaved.  Plus, it’s Cradle Of Filth, so any credibility I may have had is likely a shredded mass of bloody pulp by now.  But you know?  I still kind of dig Cradle Of Filth, and Godspeed On The Devil’s Thunder was light years better than most of their recent tripe.  So, y’know: Fuck off.

– Therion, Sitra Ahra.  Here’s to hoping that bringing things back to a single-disc release can bring slightly more focus than recent efforts.  Sure, Sirius B / Lemuria worked well in tandem, but given how good just the right amount of Therion is, too much Therion is a headache-inducing proposition.

– October Tide, A Thin Shell.  More gloominess, please.

– Sailors With Wax Wings, Sailors With Wax Wings.  Pyramids side-project with tons of unexpected participants and collaborators from throughout the metal world?  Excellent.

– Kylesa, Spiral ShadowStatic Tensions was one of my favorites from last year, so I’m pretty psyched that they’ve already got a new album coming out late October.

– Vulture Industries, The Malefactor’s Bloody Register.  Slightly off-the-wall black metal from a who’s-who of mainstream underground (it’s a fine, confusing line) Norwegian black metal.  Not for the ‘true’, likely, but true for the rest.

– Virus, The Agent That Shapes The Desert.  I did a little plug for this upcoming album a little while back.  I’m hoping the band can get enough pre-order support from all you good folks out there in Awesome Metal Appreciation Land to make this a 2010 release.  Fingers crossed, then…

– Aborym, Psychogrotesque.  Completely fucking no joke, a few days ago I was posting on Twitter about how I was hoping to see some new music from Aborym someday soon.  Lo and behold, maybe the very next day or so comes through the news item that they’ve got a new album coming out this year.  Shit!  Generator trimmed back on some of the detrimental excess of With No Human Intervention and cranked out some seriously deranged black/industrial anthems.  That title’s a bit shit, but still my soul hungers for the bleakness.

These last few are already out in Europe, to be fair, but I’d really love to see them picked up by a U.S. distributor rather than paying import prices:

– Ondskapt, Arisen From The Ashes.  Last one was a beast.  Make this one beast-ier?

– Kvelertak, Kvelertak.  Everything I’ve read about this band has made me want to drink some beers and crank the record.  And yet, if I am forced to pay import prices for it, I will have no money with which to drink some beers.  An existential conundrum if ever there was one.

– Winterfylleth, The Mercian Sphere.  Their debut full-length The Ghost of Heritage was quite impressive, but had a few too-ragged edges.  Here’s to hoping they’ve smoothed out in all the right places.  Still, these guys and Wodensthrone are making an awfully compelling case for an English black metal renaissance.
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So, as you can see, friends, it looks like there’s still plenty to be looking forward to this year.  And that’s just counting the ones that I’m actively looking forward to; who knows how much metallic gold remains to be mined with everything I’m sure I’ve forgotten or overlooked?  Embarrass me with the breadth and exquisite sheen of your “Most Looked Forward To’s”

Oh, and I know I can’t include them here, but Devin Townsend has been hinting that the last two albums of the…quadrilogy (?) will both be released in March.  So, sorry, Ghost and Deconstruction, but I can’t put you on 2010’s list, even though I am milliseconds away from pissing myself with glee as I type.

Plus, I keep hearing random whispers about expecting a new Pig Destroyer one of these days, but nothing definite yet.  I mean, I keep prowling all over the damn yard, looking for something new with which to terrify my phantom limb.

My bones quake with the sickness.

The world is a frightful place, and hope the only salve.  Heavy metal for the common good.

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